http://avconsultants.com/avc-articles/shoot-video-with-digital-still-cameras-the-move-to-tapeless-camcorders Audio and Video Production in Oakland, CA Wed, 18 Apr 2012 02:03:38 +0000 hourly 1 http://wordpress.org/?v= http://avconsultants.com/avc-articles/shoot-video-with-digital-still-cameras-the-move-to-tapeless-camcorders/comment-page-1#comment-19343 Stuart Sweetow Mon, 05 Dec 2011 21:39:02 +0000 http://avconsultants.com/news/?p=66#comment-19343 I saw a photographer's studio-store in Carmel, CA, who was in the f64 club. His photos were color and I thought he Photoshopped them. The curator there said he had not. Amazing sense of depth and rich color. I don't know if he was using large format camera or not, and I forget his name now. Anyone else know about the f64 Club? I saw a photographer’s studio-store in Carmel, CA, who was in the f64 club. His photos were color and I thought he Photoshopped them. The curator there said he had not. Amazing sense of depth and rich color. I don’t know if he was using large format camera or not, and I forget his name now. Anyone else know about the f64 Club?

]]> http://avconsultants.com/avc-articles/shoot-video-with-digital-still-cameras-the-move-to-tapeless-camcorders/comment-page-1#comment-19322 Stanton Laverriere Sun, 04 Dec 2011 21:49:33 +0000 http://avconsultants.com/news/?p=66#comment-19322 Interesting how that works out with 35 and 6x7cm to some degree. But, with 4x5 and the Rodenstock APO lenses I have, two stops in from max might be f8 &1/2 which no one would use if you could get away with shooting at f16 outside in no breeze conditions. If you could get away with f22 and no softness from camera shake, you were in "fat city." Ansel even belonged to a group calling itself the f64 Club as I recall but then, they were likely using 8x10's. Interesting how that works out with 35 and 6x7cm to some degree. But, with 4×5 and the Rodenstock APO lenses I have, two stops in from max might be f8 &1/2 which no one would use if you could get away with shooting at f16 outside in no breeze conditions. If you could get away with f22 and no softness from camera shake, you were in “fat city.” Ansel even belonged to a group calling itself the f64 Club as I recall but then, they were likely using 8×10′s.

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